Web and UX
Porch Stomp
A growing festival reorganized around clearer visitor pathways, stronger mobile use, and a lineup experience built to expand.
See the web case study ↗︎
Welcome to my studio
Hi, I’m Andrew.
Andrew Wolverton • Creative Studio
Make the work clearer.
Make it move.
Web, campaigns, media, and practical systems for arts, culture, and mission-driven work.
Selected work
A quick look.
Four projects. Different audiences, problems, and kinds of work.
Founding partner and nonprofit leadership
Discovery Sound Garden
A nonprofit built through mission, curriculum, governance, fundraising, communications, programs, and operating systems.
Explore the nonprofit build ↗︎
B2B web strategy
Yolélé Ingredients
A clearer commercial buyer journey for ingredients, sourcing, formats, applications, and inquiries.
See the buyer experience ↗︎
AI and workflow systems
Human-led systems
Research, audits, outreach, and planning made faster without handing final judgment to the tool.
See the workflow examples ↗︎
Meet Andrew
I build where creative work, people, and practical systems meet.
I started in classrooms, rehearsal rooms, and community arts spaces. That grew into producing, fundraising, marketing, digital strategy, nonprofit leadership, and interactive work in New York.
A few rooms and roles
The story is easier to see than summarize.
Indiana University beginnings
Indiana University and the Singing Hoosiers were where performance, community, and long-term creative relationships first came together.
Singing Hoosiers alumni leadership
Alumni service grew from communications into fundraising, governance, relationship-building, and organizational leadership.
Bands, festivals, and community stages
Bands and community performances kept the work social, practical, and connected to the people in the room.
Performance as a working language
Performing taught me timing, presence, preparation, and how to adjust when the room gives you new information.
Arts leadership in community
In Lafayette, teaching and theatre work expanded into civic leadership, partnerships, and programs built with the community around them.
Ensemble work
Theatre-making is collaborative systems work. Every cue, role, handoff, and relationship affects what the audience experiences.
Teaching theatre and building programs
Teaching theatre and choir made communication, structure, empathy, and practical problem-solving part of the work every day.
Learning the producing business
Commercial theatre sharpened my understanding of how creative ideas, audiences, marketing, and production decisions fit together.
Associate producing in New York
Serving as an Associate Producer for Kathleen Turner: Finding My Voice at Town Hall connected arts management training to professional New York producing.
Carnegie Mellon graduation
Earning an MA in Arts Management brought fundraising, strategy, leadership, and organizational systems into the same creative practice.
A practice that stays live
Live music continues to shape how I think about rhythm, clarity, responsiveness, and participation.
Building the room around the work
Directing and producing means creating enough structure for a full group of people to do ambitious work together.
Music in real rooms
Playing in busy rooms keeps the work grounded in audience energy, spontaneity, and connection.
Discovery Sound Garden
This is not a side project. It is a nonprofit built from the ground up.
Andrew is a founding partner of Discovery Sound Garden to create more welcoming paths into music learning, recording, performance, and creative community. The work includes program design, curriculum, board and governance systems, fundraising strategy, brand development, marketing, partnerships, and the practical infrastructure required to keep an organization moving.
- Founding partner and executive leadership
- Adult musicianship and community programming
- Fundraising, governance, and board development
- Brand, website, audience, and operating systems
Try the studio
Play something.
Build a phrase, or choose a song.
Interactive music lab
Andrew's Music Lab
Play a guided phrase, build a short arrangement, or open the full desktop workstation.
Start Music LabArtist recordings
Open the iPod
Listen to vocals, arrangements, and musical performance without leaving the portfolio.
What I do
Choose the problem, then see the work or the service.
Open a capability for a quick explanation. See examples first, or go straight to scope and pricing.
Web and UXClarify the site and the visitor path.
Site audits, information architecture, copy structure, responsive design, Wix or WordPress implementation, and handoff.
Campaigns and contentTurn the message into a coordinated push.
Audience strategy, hooks, content plans, landing pages, email, social assets, and campaign production.
Audio production and editingMake every cut, transition, and beat count.
Dance mixes, podcasts, event audio, performance edits, musical transitions, cleanup, and playback preparation.
Video editing and storytellingShape footage into a story people feel.
Performance edits, promotional video, campaign cutdowns, social-first formats, YouTube presentation, and platform-ready versions.
AI and workflow systemsReduce repeated work while keeping human judgment.
Research tools, audits, command hubs, outreach systems, documentation, and approval points.
Live music and performanceBring the work into the room.
Solo performance, Rooftop Ramblers, custom programming, vocals, harmonica, guitar, piano, and event music.
How I work
A clear route from the first question to the handoff.
The process is structured enough to keep work moving and flexible enough to respond to what the project actually needs.
- 01
Listen
Understand the audience, the real problem, what already exists, the constraints, and the outcome that matters.
- 02
Map
Organize priorities, content, pathways, dependencies, and the smartest version to build first.
- 03
Make
Build the website, campaign, edit, performance plan, or working system in a usable environment.
- 04
Test
Check clarity, accessibility, playback, responsive behavior, technical reliability, and edge cases.
- 05
Hand off
Deliver usable work with documentation, context, decisions, and a clear next step.
Frequently asked questions
A few useful answers before we start.
Projects vary, but the working relationship should not feel mysterious.
Who is the best fit for this work?
Arts and cultural organizations, nonprofits, festivals, music and education programs, independent creative teams, and mission-driven small businesses that need clearer digital work and practical systems.
Can a project be phased?
Yes. A clarity sprint, audit, prototype, or first-phase build can create a useful stopping point before a larger engagement. Phased scopes are especially useful when content, approvals, or funding are still developing.
Do you use AI to replace the creative process?
No. AI is used to extend research, organization, drafting, testing, and production capacity. Strategy, source checking, design direction, quality control, and final approval remain human-led.
What do I need before reaching out?
A polished brief is not required. Bring the problem, the audience, what already exists, and any deadline or budget limits you know. We can define the right scope from there.
Are digital services and live performance booked separately?
Usually, yes. They are separate engagement types with different timelines and production needs, though a combined event, campaign, or performance-media package can be scoped together.
Start here
What are you trying to make work?
You do not need to arrive with the solution. Start with what feels unclear, unfinished, repetitive, or hard to move forward.
Prefer email? [email protected]